In the garden of my Japanese home in Tokyo I have just perused the last sheets of my son’s philosophical and historical romance, “Phra the Phœnician.”

Amid other scenes I might be led to analyze, to criticize, perhaps a little to argue about the singular hypothesis upon which he builds his story. Here, with a Buddhist temple at my gate, and with Japanese Buddhists around me, nothing seems more natural than that an author, sufficiently gifted with imagination and study, should follow his hero beyond the narrow limits of one little existence, down the chain of many lives, taken up link by link, after each long interval of rest and reward in the Paradise of Jô-Dô. I have read several chapters to my Asiatic friends.

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