Several times during my long residence in Hong Kong I endeavoured to read through the ‘Narrative of Fâ-Hien;’ but though interested with the graphic details of much of the work, its columns bristled so constantly—now with his phonetic representations of Sanskrit words, and now with his substitution for them of their meanings in Chinese characters, and I was, moreover, so much occupied with my own special labours on the Confucian Classics, that my success was far from satisfactory.

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